{"id":20569,"date":"2024-08-09T10:32:45","date_gmt":"2024-08-09T00:32:45","guid":{"rendered":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/?post_type=article&#038;p=20569"},"modified":"2024-08-09T10:32:53","modified_gmt":"2024-08-09T00:32:53","slug":"the-song-of-the-summer","status":"publish","type":"article","link":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/article\/the-song-of-the-summer\/","title":{"rendered":"The Song of the Summer?"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">The Fiercest (and Most Important) Debate of the Year<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">T. F. C. Kierse<\/h2>\n\n\n\n<p>WHILE WINTER RAGES IN AUSTRALIA, there remains one major question for our American and European friends. What fantastic tune of the finest singers will have the illustrious title of \u201cThe Song of the Summer\u201d? While the debate is broad throughout with contenders such as Chappell Roan\u2019s <em>\u201cGood Luck, Babe!\u201d <\/em>and Shaboozey\u2019s <em>\u201cA Bar Song (Tipsy)<\/em>, it seems like the two main competitors are Sabrina Carpenter&#8217;s pop hit \u201c<em>Espresso\u201d<\/em>, or Tommy Richman\u2019s classic <em>\u201cMillion Dollar Baby\u201d<\/em>. So, what is the general consensus, and do these hits live up to the former greats that have been hit with the title?<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXdHwVOFjooC5wT498qcgM0eaNQcP2d8YfKq6VIwpWBfgc6T_yLZfBHMRSOfEgFJkKtyA5uPCmEOJk6bhkunMwQ4M32VeduofXGjg-H3vI13mAr6crkudrZq2o2aLMcv-ayAbm33Sm8sO2jBqKTkSv1TEQVyjxbeFk5bzGZaWQ?key=WSS49kAj5YsYN9g8F1Uxng\" width=\"325\" height=\"185\"><\/p>\n\n\n\n<p><em>Image Credit: Google<\/em><\/p>\n\n\n\n<p>Well first, what determines a \u201cSong of the Summer\u201d? According to every student&#8217;s most trusted friend <em>Wikipedia<\/em>, the definition verbatim is \u201can unofficial designation of the song that is dominant both culturally and commercially between the end of May and the beginning of September in a given year, primarily in the United States.\u201d. Right, pretty simple concept. A \u201cSong of the Summer\u201d is the most culturally significant and relevant song in the summertime in the Northern Hemisphere.<\/p>\n\n\n\n<p>Let\u2019s then move on. What are some examples to base these two candidates off? While there is no formal award for a \u201cSong of the Summer\u201d, it is most likely very easy to pick a winner based on popular opinion and common sense. Previous winners include Katy Perry\u2019s <em>\u201cCalifornia Gurls\u201d <\/em>in 2010, Daft Punk\u2019s <em>\u201cGet Lucky\u201d <\/em>in 2013, and Jack Harlow\u2019s <em>\u201cFirst Class\u201d <\/em>in 2022. All are popular hits to this day, and most certainly captured the public\u2019s attention during their initial publication.<\/p>\n\n\n\n<p><em><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXeJa86ytCS48vIcV4l2TPM_6S8IRtcOHVc-rAn854UmpQPyZXiBoCO8ixAmH0t685t47uyfkJxSusv4vOYSvXdAD2TMGpqvLBNDasDDI2yjN3huTw3jbhf8fRXtuH-m0WyPefXT06Sw0PzY0bDiCB1osSDU7PS0HR1BBKcQyw?key=WSS49kAj5YsYN9g8F1Uxng\" width=\"325\" height=\"183\"><\/em><\/p>\n\n\n\n<p><em>Sabrina Carpenter, Singer of \u201cEspresso\u201d<\/em><\/p>\n\n\n\n<p>So, let\u2019s review the cases for the two main competitors. Firstly, Carpenter\u2019s <em>\u201cEspresso\u201d <\/em>has spent over four weeks on top of the <em>Global 200 Billboard <\/em>and has amassed over 970 million streams on different platforms. Although impressive, Carpenter has had previous success in pop music with hits such as <em>\u201cNonsense\u201d <\/em>and <em>\u201cFeather\u201d<\/em>, and being associated with Taylor Swift, as she had performed as an opening act many times, including in Sydney. Nonetheless, an extremely strong case for the up-and-coming Carpenter\u2019s number one hit.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXftyf6lnKn8wDlyVeUD_sSrvJW2TRW0ktwCjaWhu8fs_sVzdj1LgiF0shVJ7XsTyAhGpNu_gufgXBQRaq7grxfa5GH2pmzIEFVd-6VXwICV_qeZAL27GEo5WumQ09muqg570-4qWRHEjA2d1_LAYTq85TcIoy2pXpAwAwdRGw?key=WSS49kAj5YsYN9g8F1Uxng\" width=\"325\" height=\"183\"><\/p>\n\n\n\n<p><em>Tommy Richman, Singer of \u201cMillion Dollar Baby\u201d<\/em><\/p>\n\n\n\n<p>Conversely, Tommy Richman is new to the music scene. Relatively unknown before his hit, this makes his rise to the top of the music industry all the more impressive. While only achieving 670 million streams, it peaked at Number One on the <em>Billboard Hot 100 and <\/em>has hit number one in the charts in numerous countries, including Australia, Latvia and New Zealand. Although a bit more niche, it is very catchy and has been praised by critics.<\/p>\n\n\n\n<p>My personal opinion is that Carpenter\u2019s <em>\u201cEspresso\u201d <\/em>takes the cake in this race. The cultural phenomenon of the newly anointed \u201cQueen of Pop\u201d has been extreme, and there is no debating the quality and catchy nature of her headline hit. Not to understate the cultural relevance of Richman\u2019s <em>\u201cMillion Dollar Baby\u201d<\/em>, which has been Number one on popular social media outlets such as Instagram, TikTok and Snapchat, but its relevance in culture among not only the internet but among people is simply less than that of <em>\u201cEspresso\u201d<\/em>. For me, that seems to settle the debate.<\/p>\n\n\n\n<p>\u201cThe Song of the Summer\u201d is a long fought after title and should continue to be into the future. Stars often base their releases and genres on the ability to achieve the illustrious title, as it brings with it a deeper cultural meaning than just a title. But now a new question arises: will the classical pop musical establishment arise to the new kids on the block, challenging them for their top spots on the Charts? When will we see the next hit from Beyonce? Where is Taylor Swift\u2019s contender?<\/p>\n\n\n\n<p>But for now, the rise of Tommy Richman, and the anointing of Sabrina Carpenter will most likely represent a new generation coming through snatching this title year after year. But until the establishment returns, or new stars emerge, the debate will most certainly continue to rage on.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>T. F. C. Kierse<\/p>\n","protected":false},"featured_media":20570,"comment_status":"closed","ping_status":"closed","template":"","article_category":[10],"article_tag":[],"class_list":["post-20569","article","type-article","status-publish","has-post-thumbnail","hentry","article_category-student-journalism"],"_links":{"self":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article\/20569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/types\/article"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/comments?post=20569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/media\/20570"}],"wp:attachment":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/media?parent=20569"}],"wp:term":[{"taxonomy":"article_category","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article_category?post=20569"},{"taxonomy":"article_tag","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article_tag?post=20569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}