{"id":16821,"date":"2024-03-06T16:44:28","date_gmt":"2024-03-06T05:44:28","guid":{"rendered":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/?post_type=article&#038;p=16821"},"modified":"2024-03-08T11:03:32","modified_gmt":"2024-03-08T00:03:32","slug":"2024-oscars-predictions","status":"publish","type":"article","link":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/article\/2024-oscars-predictions\/","title":{"rendered":"2024 Oscars Predictions"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Is Anyone Actually Watching This Thing?<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">M. D. Kwak<\/h2>\n\n\n\n<p><strong>THE BUILDUP OF EXAMS AND SCHOOLWORK <\/strong>(not to mention two SWR articles every week) have driven me to shambles. Forgive me for my shameless Oscars-themed excuse for an article. If you couldn\u2019t care less about the Oscars (which is totally understandable), flick over to my debating report and familiarise yourself with the eminence of Shore debating. Nevertheless, my predictions are as follows.<\/p>\n\n\n\n<p><strong>Best Picture<\/strong>: <em>Oppenheimer<\/em>. It has everything going for it: Cold War politics, a didactic \u2018these are the moral ramifications of scientific endeavour\u2019 and above all, it\u2019s a biopic which have historically been heavy-hitters in this category. In my opinion, not the strongest Best Picture we\u2019ve had over the years, but a deserved one.<\/p>\n\n\n\n<p><strong>Actor in a Leading Role<\/strong>: Cillian Murphy in <em>Oppenheimer<\/em>. Giamatti in <em>The Holdovers<\/em> is shaping up to be the closest contender, but Murphy is at his peak right now, and there\u2019s no doubting his performance was exceptional \u2013 showcasing a wide variety of subtlety and raw emotion.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"183\" src=\"https:\/\/lh7-us.googleusercontent.com\/pOL01d9hzEwYy9jPcykA-kvE6Wby6N1XtoPmzoZbALg9iHSuStPXTCwu-Y1ogmQ7USjEJknRKHHYQ-n2pSPmEcRqvKPTdN3aZdtRuBMU0aGVQ1Ga2Xep1vA3IkpsPyYTE7p9JG5S4OA\"><\/p>\n\n\n\n<p><strong>Actress in a Leading Role<\/strong>: Emma Stone in <em>Poor Things<\/em>. As the star of a mind-bending Frankenstein-inspired, feminist-leaning, arthouse film that critics have raved over, Emma Stone has clearly showcased her far-reaching talents.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"217\" src=\"https:\/\/lh7-us.googleusercontent.com\/xRgr7eMmySXl8THMKp9ZIC-pKF5cl-Ic0J-Y0UtxghVjMzrahTllzRLNTvWuwGIbz4fuqOX4pse5lGvIqzQJrOPeq-N9sgNnCSCmlG3rffA1YkAFp_k9OnhyWj0eeAor3hiea_YjWt4\"><\/p>\n\n\n\n<p><em>Emma Stone and Mark Ruffalo in Poor Things<\/em><\/p>\n\n\n\n<p><strong>Best Director<\/strong>: Christopher Nolan. I reckon the entire backstory of how <em>Oppenheimer<\/em> was directed and produced could be made into its own documentary. Nolan is one of the most talented directors of his generation \u2013 he deserves an Oscar.<\/p>\n\n\n\n<p><strong>Original Screenplay<\/strong>: <em>Anatomy of a Fall<\/em> will most likely win. But <em>Past Lives<\/em> is the winner in my heart.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"395\" src=\"https:\/\/lh7-us.googleusercontent.com\/cwPR_SRnvWUj-Vi6aZpIt4BAS6zzdx1YwEExBSWS5gpQYg2xbJaKlQZMnlpBP2_tKNQ2NwW3uh-PUuoFJ_hggfiw21zHRbi1jVPbfXvPO641NewNy1pkEBMHX6oGuHtZNL1z_nGX3Ps\"><\/p>\n\n\n\n<p><strong>Animated Feature<\/strong>: <em>The Boy and the Heron<\/em>. I haven\u2019t even watched this film, but I <em>have<\/em> watched its biggest competitor <em>Spider-Man: Across the Spider-Verse<\/em>, and it was dismal. I was a huge fan of its prequel, and despite an improvement in animation quality, the plot contorted into an unnecessarily complex quagmire, the villain was comically underwhelming and the ending was such a blatant cash grab of \u2018you better watch the sequel that\u2019ll take five years to develop\u2019, that the movie (even its good parts) were spoiled for me.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"195\" src=\"https:\/\/lh7-us.googleusercontent.com\/ZXa_Q8uj7ishKfVTUi9S_DUcl6mBJNnCQapKiLDJSLf05m7iJN37srotGLgL0wmfGmN-9ux6AZoMRAv2elXKDTpzzukeoqt1jISZgW_i7aTaSl1gOwa14EYXQ3ZX_P9fVzuaSHMwkio\"><\/p>\n\n\n\n<p><em>The boy and the Heron<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/sSAGIZVnDoyvscdVGbnnfF4mJg3ww7l8qV_YnEMGGHTpGboyQ97WnURCPDAS3wMUY093kGT14HMVZQVJ8L6YQsPxTbs9AOXDMg8VNy8kzUJDHCf41V28KH3i5SI6wPN3R_AtuLRZ9wk\" alt=\"\" \/><\/figure>\n\n\n\n<p><em>Spider-Man: Across the Spider-Verse<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>M. D. Kwak<\/p>\n","protected":false},"featured_media":16823,"comment_status":"closed","ping_status":"closed","template":"","article_category":[10],"article_tag":[],"class_list":["post-16821","article","type-article","status-publish","has-post-thumbnail","hentry","article_category-student-journalism"],"_links":{"self":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article\/16821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/types\/article"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/comments?post=16821"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/media\/16823"}],"wp:attachment":[{"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/media?parent=16821"}],"wp:term":[{"taxonomy":"article_category","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article_category?post=16821"},{"taxonomy":"article_tag","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/shore-weekly-record\/wp-json\/wp\/v2\/article_tag?post=16821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}