{"id":7137,"date":"2022-03-10T11:02:39","date_gmt":"2022-03-10T00:02:39","guid":{"rendered":"https:\/\/www.thebuzz.net.au\/sceggs\/?post_type=article&#038;p=7137"},"modified":"2022-03-10T11:04:02","modified_gmt":"2022-03-10T00:04:02","slug":"music-matters-81","status":"publish","type":"article","link":"https:\/\/www.thebuzz.net.au\/sceggs\/article\/music-matters-81\/","title":{"rendered":"Music Matters"},"content":{"rendered":"<h4><strong>Ash Wednesday Service \u2013 SCEGGS Madrigal Ensemble\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/h4>\n<p>It has been a long time since choristers and congregation could freely sing without masks.\u00a0 Last week&#8217;s Ash Wednesday Service in the Great Hall\u00a0 certainly marked the occasion with beautiful congregational singing led by members of the Madrigal Ensemble.\u00a0 Members of the Ensemble also performed two beautiful items;\u00a0 <em>Ave Maria<\/em> by Arcadelt for the anthem and the blessing <em>The Lord is My Shepherd<\/em> by Grant arr. Geehl.\u00a0 Thank you to Miss Allison Harrigan for her direction of the performance and Mr Kurt Ison for his accompaniment from the organ.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7138 size-full\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/AshWednesday_MadrigalEnsemble-e1646686363917.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4><strong>Assembly Performance &#8211; Holst Wind Band <\/strong><\/h4>\n<p>Congratulations to members of Holst Wind Band for this week\u2019s musical item in assembly. The band performed the popular title song\u00a0 <em>No Time to Die.<\/em>\u00a0 The song was written by Billie and Finneas Elish and was featured in the 2021 James Bond film of the same title. The version that was performed by Holst has been arranged for wind ensemble by Michael Brown. Thank you to Mr Michael Tierney for his direction of the performance.\u00a0 Well done Holst!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7139 size-full\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/T1W7_Assembly3-e1646686535966.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p>\n<p><a href=\"https:\/\/vimeo.com\/685246574\/8d0f48ac41\">You can hear the performance here.<\/a><\/p>\n<h4><strong>Mozart\u2019s \u201cMagic Flute\u201d for Stage 2, 3 and Year 9 Elective Music Students<\/strong><\/h4>\n<p>Primary Music started the week with a musical journey to the magical world of Mozart\u2019s <em>The Magic Flute<\/em>. Brad Cooper, a Tenor with opera Australia visited Years 3-6 on Monday, presenting each year group with an interactive workshop experience, explaining the story of the Opera, and the music and composition style of Mozart. The students also took part in reading and acting scenes, becoming princesses, princes, and bird-catchers! We learnt how the productions have been staged in the past from 1791 until today, the most amazing one being directed by Julie Taymour (Director of The Lion King), for the Met Opera in NY. There were puppets, HUGE serpents and bears, and incredible costumes! The students created sound effects as Brad related the story to us and we loved singing along to the famous <em>Queen of the Night<\/em> Aria. We watched the incredible Diana Damrau using her coloratura register and incredible physical effort to sing the difficult arpeggio passages. The use of the voice in Opera uses special techniques that we practised with Brad \u2013 breathing and supporting our voice using our torso and intercostal muscles. A wonderful morning of singing and learning together about this magical Opera.<\/p>\n<p><strong>Lanneke Jones\u00a0<\/strong><\/p>\n<div id='gallery-1' class='gallery galleryid-7137 gallery-columns-2 gallery-size-medium'>\n<figure class='gallery-item link-'>\n<div class='gallery-icon'>\n<a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125902.jpg\" data-rel=\"lightcase:1:slideshow\" title=\"\">\n<img decoding=\"async\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125902-300x300.jpg\" alt=\"\" \/>\n<\/a><\/div>\n<div class='gallery-item__overlay d-flex justify-content-center align-items-center'><span class='fal fa-plus fa-2x'><\/span><\/div><\/figure>\n<figure class='gallery-item link-'>\n<div class='gallery-icon'>\n<a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/MagicFlute_2-002-e1646686741892.jpg\" data-rel=\"lightcase:1:slideshow\" title=\"\">\n<img decoding=\"async\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/MagicFlute_2-002-300x300.jpg\" alt=\"\" \/>\n<\/a><\/div>\n<div class='gallery-item__overlay d-flex justify-content-center align-items-center'><span class='fal fa-plus fa-2x'><\/span><\/div><\/figure>\n<figure class='gallery-item link-'>\n<div class='gallery-icon'>\n<a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_113614-1.jpg\" data-rel=\"lightcase:1:slideshow\" title=\"\">\n<img decoding=\"async\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_113614-1-300x300.jpg\" alt=\"\" \/>\n<\/a><\/div>\n<div class='gallery-item__overlay d-flex justify-content-center align-items-center'><span class='fal fa-plus fa-2x'><\/span><\/div><\/figure>\n<figure class='gallery-item link-'>\n<div class='gallery-icon'>\n<a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125001.jpg\" data-rel=\"lightcase:1:slideshow\" title=\"\">\n<img decoding=\"async\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125001-300x300.jpg\" alt=\"\" \/>\n<\/a><\/div>\n<div class='gallery-item__overlay d-flex justify-content-center align-items-center'><span class='fal fa-plus fa-2x'><\/span><\/div><\/figure>\n<figure class='gallery-item link-'>\n<div class='gallery-icon'>\n<a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125457.jpg\" data-rel=\"lightcase:1:slideshow\" title=\"\">\n<img decoding=\"async\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/20220307_125457-300x300.jpg\" alt=\"\" \/>\n<\/a><\/div>\n<div class='gallery-item__overlay d-flex justify-content-center align-items-center'><span class='fal fa-plus fa-2x'><\/span><\/div><\/figure>\n<\/div>\n\n<p>&nbsp;<\/p>\n<h4><strong>SCEGGS Eisteddfod<\/strong><\/h4>\n<ul>\n<li>The entries for the SCEGGS Eisteddfod closed last Friday with a schedule organised for primary and secondary heats.<\/li>\n<\/ul>\n<h5><strong>Heats \u2013 Week 7 (Vocalists &amp; Yr 12), Week 8 (all other heats)<\/strong><\/h5>\n<ul>\n<li>Vocal heats and Year 12 instrumental heats will be held in Week 7 (Friday 11 March).<\/li>\n<li>Instrumental heats will be held in Week 8 (Monday 14 March \u2013 Friday 18 March) during regular Music class lessons for Primary students, Year 7 students and Elective Music students.<\/li>\n<li>All other heats will be held during regular class lesson time.<\/li>\n<li>Students will perform for the external, specialist adjudicator in a music studio &#8211; there is no audience.<\/li>\n<li>Due to timetabling restrictions, adjudicators do not provide written reports or any other feedback.<\/li>\n<li>TIME LIMIT: 5 MINUTES<\/li>\n<li><a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/22-Timetable-Secondary-Instrumental.pdf\">Click here for the Instrumental Heats Timetable<\/a><\/li>\n<li><a href=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/22-Timetable-Vocal.pdf\">Click here for the Vocal Heats Timetable<\/a><\/li>\n<\/ul>\n<h5><strong>Highlights Concerts<\/strong><\/h5>\n<ul>\n<li>Adjudicators select between 15-20 performers to perform at each Highlights concert (Primary &amp; Secondary).<\/li>\n<li>Primary Highlights concert: <strong>Friday 25 March at 4:30pm.<\/strong><\/li>\n<\/ul>\n<p>Secondary Highlights concert: <strong>Friday 25 March at 6.00pm. <\/strong>A variety of awards are made at these concerts:<\/p>\n<ol>\n<li>Outstanding Musician of the Primary School\/Secondary School<\/li>\n<li>Wran Prize for Up and Coming Vocalist (Secondary only)<\/li>\n<li>Acknowledgement Awards<\/li>\n<\/ol>\n<p>Any questions please contact <a href=\"mailto:HeidiJones@sceggs.nsw.edu.au\">Ms Heidi Jones.<\/a><\/p>\n<h4><strong><br \/>\nMusic News about Old Girls Dr Aristea Mellos and Georgia Scott<\/strong><\/h4>\n<h5><strong>Caccini Circle \u2013 Collaboration Between Old Girls and Women Composers<\/strong><\/h5>\n<p>Dr Aristea Mellos (Class of 2005) is an artistic co-director of Sydney Bach Society.\u00a0 She shares with us her inspiration for the Caccini Circle and how it led to her collaboration with another Old Girl, Georgia Scott (Class of 2008).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7141 size-thumbnail alignleft\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Aristea-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Aristea-150x150.jpg 150w, https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Aristea-300x300.jpg 300w, https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Aristea-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/> <em>Late last year, I began thinking about the Sydney Bach Society\u2019s programming for 2022\/23 and it struck me that it was very male heavy. Period ensembles almost exclusively perform works by men (Bach, Vivaldi, Handel, Scarlatti etc\u2026). To address the gender imbalance in our programming, I applied for a grant with Create NSW to establish the Caccini Circle &#8211; an ongoing commissioning project that invites Australian women to compose works inspired by Baroque repertoire for some of Australia\u2019s best performers.\u00a0 <\/em><em style=\"font-size: 1.15rem;letter-spacing: 0px\">The grant was approved, and we\u2019ve just announced the project to celebrate women\u2019s history month. <\/em><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7143 size-thumbnail alignleft\" src=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Georgia-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Georgia-150x150.png 150w, https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Georgia-300x300.png 300w, https:\/\/d1dfwahqlx324v.cloudfront.net\/uploads\/sites\/56\/2022\/03\/Georgia-1024x1024.png 1024w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/em><\/p>\n<p><em>The 2022\/23 composers I applied for funding for were Georgia Scott, Jane Sheldon, Kenya Wilkins &amp; myself. Each composer has been assigned an ensemble or soloist. Our performers include the Marais Project, violinist Christina Lieberwirth-Morris (a colleague of mine from my Con days now based in Germany), our resident duo (and Eastman School alumni), guitarist Dr Josinaldo Costa and violinist Timothy Lee, and pianists Erin Helyard and Stephanie McCallum.<\/em><\/p>\n<p><a href=\"https:\/\/www.sydneybachsociety.com.au\/ccsl-lunchtime-1\">Here\u2019s a link to our website which has more info.<\/a><\/p>\n<p><strong>Pauline Chow<\/strong><br \/>\n<strong>Head of Music<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ash Wednesday Service \u2013 SCEGGS Madrigal Ensemble\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 It has been a long time since choristers and congregation could freely sing without masks.\u00a0 Last week&#8217;s Ash Wednesday Service in the Great Hall\u00a0 certainly marked [&hellip;]<\/p>\n","protected":false},"featured_media":754,"comment_status":"closed","ping_status":"closed","template":"","article_category":[],"article_tag":[25],"class_list":["post-7137","article","type-article","status-publish","has-post-thumbnail","hentry","article_tag-music"],"_links":{"self":[{"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/article\/7137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/types\/article"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/comments?post=7137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/media\/754"}],"wp:attachment":[{"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/media?parent=7137"}],"wp:term":[{"taxonomy":"article_category","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/article_category?post=7137"},{"taxonomy":"article_tag","embeddable":true,"href":"https:\/\/www.thebuzz.net.au\/sceggs\/wp-json\/wp\/v2\/article_tag?post=7137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}