The history and significance of the novel

The history and significance of the novel

Novels. Everyone can always agree to having a favourite novel, whether it may be a dystopian fiction like Suzanne Collins’s The Hunger Games or a supernatural adventure such as one of J.K. Rowling’s Harry Potter books. Novels, however, are more than just a story inscribed on innumerable pages; they are a major part of literature – and will always continue to be.

The novel is considered by many to be somewhat of a post-Renaissance phenomenon, influenced by the innovation of printing presses, therefore making literature now accessible to a brand-new audience of readers. Books did exist prior to the invention of printing press, but these hand-written manuscripts were only available to the nobility and the Church. Books during these times were either Medieval or Greek literature, appealing to the male readership rather than a female’s. Once the printing press began to spread across Europe, new readers desired to read more about life as they knew it, creating a shift towards realism (focusing on social issues and middle- and lower-class people).

By the 18th century, the novel was now up and running. Around the same time, women were significant central figures of the novel – both as readers and writers – which reflected their budding status in society. Female readership wanted courtship plots and domestic themes in literature. They wanted things to be as relatable to them as possible! Eventually, these ideas became crucial and showcased how men and women differ in economic and social status. Think of some of the works of Jane Austin: Emma, Pride and Prejudice, and Sense and Sensibility. These novels all explore the ideas of courtship and romance – as well as one’s ranking in society.

This caricature, created in 1805, poked fun at the era’s courtship conventions, much like Jane Austen did through characters like Pride and Prejudice‘s Mr Collins. 📷 US Library of Congress via janeaustensworld.com

Countless female writers including Jane Austin and Mary Wollstonecraft (author of A Vindication for the Rights of Women) revolutionised and contributed to ‘the modern novel’. Nevertheless, there are some women who are still underappreciated for their writing and influence associated with English novel. These women wrote amatory fiction, which provided women with a sense of involvement in the world outside their domestic lives. Some leading female authors of amatory fiction included Eliza Haywood, Delarivier Manley, and Aphra Behn. This type of fiction, however, was perceived as immoral of the day because it portrayed women having scandalous love affairs without facing punishment. Despite the public scandal and controversy regarding amatory fiction, it played an important role in securing women’s rights to express their thoughts.

In the 21st century, classic literature of the past three centuries is becoming more foreign to modern readership, as we are regarded to be in a ‘post literate age’. In current society, there is a decline in reading novels in which are greater in length and age. As a generation, we need to understand the cultural and historical context of novels! It is extremely valuable to read some classic literature – whether it be Emily Brontë’s Wuthering Heights, Louise May Alcott’s Little Women, or Harper Lee’s To Kill a Mockingbird. There is aways something for everyone to read!

Ruby C, Year 9

Junior School Swimming Carnival

Junior School Swimming Carnival

Junior School Gallery

Junior School Gallery

Student Representative Council Term 1

Award Winners: Week 3

Captains – Year 6

How disinformation manipulates your beliefs

How disinformation manipulates your beliefs

People are lazy. We like to put in as little effort as possible. This has been engrained in us for as long as we have existed. The same thing applies to the news. We like to have instant information that we can trust and rely upon to form our opinions of the world. But sadly, this is not how the world works anymore. We live in a time where wars and political campaigns are not just fought with guns and speeches, but in the media. You as an individual are just as important to an army as a rifleman on the ground. Your weapon isn’t a gun. It’s your vote.

The outcome of wars can be changed very easily by what happens in other countries, even countries that aren’t physically involved. These silent media conflicts happen between most major powers, even if there is no state of war. A well-documented example of this is the Russian involvement in the 2016 U.S. presidential election. The Russian government employed the Internet Research Agency (IRA) and Russian military intelligence (GRU) to run an extensive disinformation campaign against the Democratic Party. This was not in support of Donald Trump. There was no solid evidence that the Republican Party had any knowledge of these hacking and disinformation campaigns. The reasoning was simple – President Trump had more America-centric policies that would allow Russia to have more influence in Eastern Europe. This laid the groundwork for the 2022 invasion of Ukraine. The combination of Donald Trump’s disregard for Russian aggression, and Biden’s slow response when it came to supporting Ukraine’s military has potentially cost Ukraine the war. This is just one example, but with the advent of artificial intelligence disinformation has become increasingly harder to spot.

This may seem terrifying, but there are easier ways to identify what is and is not disinformation. Keep in mind, misinformation is fake news that is spread unintentionally, disinformation is fake news that is spread intentionally to change your political beliefs. A quick and easy way to check is by clicking on the person, the profile or the news source that the article is from. Russia and China especially have been known to run bot farms. These are AI made to look like actual people. Oftentimes, these AIs are programmed to masquerade as active or former members of the US or other western militaries. This is an attempt to gain trust and add credibility to their claims. These bots often use bad grammar and steal stock images.

Another way of spotting disinformation in the media is to check the media source. If the source is from Russia or China, the claims made in the article should be taken with a grain of salt as these countries do not have free press. Finally, the most obvious way to spot AI or altered images is via fingers (AI has difficulty rendering small details like fingers) and background details. If the details seem off or weirdly shaped, it’s likely the image is AI, however AI images continue to become harder to identify.

This lady’s fingers look disfigured or twisted, and she also appears to have three feet. 📷 via multiply.org

I realize this is annoying. I realize that most people don’t have the time to go out of their way to figure out if what they are reading is actually true. It’s much easier to just go about your day consuming information that is designed to make you think and feel a certain way, slowly warping your political beliefs in order to support an agenda. But I implore you to take that 30 seconds out of your day and check the information that you’re reading, to allow yourself to develop your own political opinion through unbiased information.

Oscar F, Year 9

Sources and further reading:

Report on the Investigation into Russian Interference in the 2016 Presidential Election

Combatting misinformation online 

Recommendations for countering misinformation

Barkley’s resurgence: how one season changed the NFL’s running back market

Barkley’s resurgence: how one season changed the NFL’s running back market

During the 2023 offseason, the position of running back became a talking point in the evolution of modern NFL offences. Many teams viewed them as expendable and a commodity due to the demand for higher salaries amongst star tailbacks. Some experts such as Jason Reid of ESPN, argued that running backs are becoming unnecessary. In his 2023 article, ‘NFL running backs are in threat of extinction’, Reid stated:

“Nowadays, clubs prefer to cobble together the position with relatively inexpensive options, often moving on from players after their rookie contracts expire. Even for elite running backs such as Barkley, Pollard and Jacobs, it’s more likely that they’ll be assigned the franchise tag multiple times and released than they will be rewarded with long deals.”

The most notable example is Saquon Barkley, who was franchised tagged by the New York Giants for 10 million dollars. While that is nothing to sniff at, Barkley wanted a long-term contract from the Giants showing that they were committed to him as a franchise player. Instead they spent their cap space on quarterback Daniel Jones, signing him to a lucrative four-year, $160 million contract. Jones was released from his contract midway through the 2024 season due to poor performance.

Jan 7, 2024; East Rutherford, New Jersey, USA; New York Giants running back Saquon Barkley (26) scores a rushing touchdown during the first half against the Philadelphia Eagles at MetLife Stadium. 📷 Vincent Carchietta USA TODAY Sports

Despite playing behind an offensive line ranked 8th worst in overall block win rate (59.87%), Barkley still managed to rush for 962 yards and six touchdowns on 3.9 yards per attempt across 14 games in 2023. n contrast, the Kansas City Chiefs—Super Bowl LIX champions—had the league’s highest block win rate at 74.23%. This strong offensive line play benefited young, inexpensive running back Isiah Pacheco (on a four-year, $3.73 million contract), who put up similar numbers to Barkley: 939 yards and seven touchdowns.

In the 2024 offseason Barkley chose to leave the New York Giants to join NFC East rivals, the Philadelphia Eagles, on a 3-year contract worth $37 million. In the previous season the Eagles finished 11-6, making the playoffs before losing to Baker Mayfield and the Tampa Bay Buccaneers in the Wild Card round 32 to 9. The Eagles lead back that game was Deandre Swift who rushed for an abysmal 34 yards on 10 carries. The Eagles boasted an impressive offence led by quarterback and eventual Super Bowl LIX MVP Jalen Hurts, 2 great wide receivers in AJ Brown and Devonta Smith and an impressive offensive line – 69.31% overall win block percentage, the second-best in the NFL – featuring stars like Lane Johnson and Jordan Malaita. The offense was coordinated by current New Orleans Saints head coach Kellen Moore. Barkley would go onto have a monster season, rushing for 2005 yards (8th best of all time) and 13 touchdowns on 5.8 yards per attempt through 16 games of the regular season and had 499 yards and 5 touchdowns on 5.5 yards per attempt.

Super Bowl LIX: The showdown awaits – Kansas City Chiefs vs. Philadelphia Eagles at the Caesars Superdome, New Orleans, on February 9, 2025. 📷 Washington Post

In the Super Bowl at Caesars Superdome in New Orleans, Louisiana, the Kansas City Chiefs managed to shut down Barkley, holding him to 57 yards on 25 carries having an average yards per carry of 2.3. They did this by having the defence focus on Barkley throughout the contest by playing their safeties lower and pressuring the backfield. This, however, opened Philly’s passing attack due to the lack of a true deep secondary, allowing Hurts to find Brown, Smith and Jahan Dotson down field and throw for 221 yards and two touchdowns with a 77.3% completion rate. Combined with his rush for 72 yards and touchdown on 6.5 yards per carry, the Eagles were able to demolish the Chiefs 40-22.

The lack of a quality running game by the Chiefs (RB Kareem Hunt had just three carries for nine yards) put major pressure on quarterback Patrick Mahomes. This led to him throwing two interceptions and an expected points added (EPA) per drop-back of -1.45 – the lowest in a Super Bowl since 2000. In contrast, Hurts claimed the highest since 2000 with an EPA of 0.51. Hurt won Super Bowl MVP and solidified himself as one of the best quarterbacks of the 2020s. Barkley won Offensive Player of the Year for the regular season in one of the best seasons by a player in NFL history. His performance acting as a reset point for the running back market and will become a major focal point in the strategy discussions of other Super Bowl hopeful franchises in the 2025 offseason.

Zac C, Year 12

Sam Kerr: what’s going on?

Sam Kerr: what’s going on?

During the 2023 Women’s World Cup, most Australians became endeared with our Matildas squad who made it to the semifinals, the furthest an Australian football team – men’s or women’s – ever made it in the FIFA world cup. For a lot of Australians, that was their introduction to Sam Kerr and the rest of the Matildas team. Kerr has been involved in a court case in London in and hasn’t been playing for Australia and Chelsea due to her ACL tear last year, so what’s been going on with the superstar and when will she be back on the pitch?

Kerr on the training pitch in 2023. 📷 Chelsea FC

Since playing for Chelsea, Kerr has won five women’s super-leagues and the FA Cup and guided her team to a Champions League final. She is widely considered one of the best strikers in the world.

Recently, Kerr has been surrounded in controversy to do with a dispute with a Metropolitan Police officer in, PC Stephen Lovell, on January 30, 2023, in London, where she called him “stupid and white” resulting in her being arrested and taken to court.

During court in London, Kerr recounted the story of a taxi ride where she believed that she was being taken hostage by the driver. Kerr’s partner kicked the window of the taxi in an attempt to escape. The taxi driver drove to the police station, concerned with the actions of his passengers.

At the police station, the officers didn’t believe Kerr’s story of what happened as is revealed in a long body cam video.

Chelsea striker Sam Kerr outside Kingston Crown Court, south west London, Tuesday Jan. 14, 2025, following a hearing where she is charged with alleged racially aggravated harassment of a police officer. 📷 Andrew Matthews/PA via AP

At the climax of the argument, Kerr called the officer “f****ng stupid and white”, which resulted in her arrest for racially aggravated harassment. The jury in London took only four hours to find Kerr not guilty of the charges.

Kerr said publicly online, “While I apologise for expressing myself poorly on what was a traumatic evening, I have always maintained that I did not intend to insult or harm anyone, and I am thankful that the jury unanimously agreed.”

The star also said that she is focused on getting back on the pitch for Chelsea who are closing in on another title winning season. Chelsea manager Sonia Bompastor has stated that she supports Kerr, although she hasn’t returned to team training yet due to her ACL tear that she is still recovering from.

We can expect to see Kerr return to training in London in the coming few weeks and see her on the pitch before the end of the season.

Peter K, Year 11

OxLit

OxLit

A space dedicated to Oxley students’ creative expression.

The Blind Man

I heard a blind man singing in the rain,
But it was not the gods’ drumming tears he sang of. 
He sang of sunny days, of the golden rays and the bright blue sky,
Of sunset and dawn painting the horizon in burning orange, royal purple, soft rosy pinks. 
I asked him, and I don’t know why I did,
Sir, have you ever even seen the sun you praise? 
His milky eyes crinkled, and a smile broke on his face like the golden light he serenaded. 
My child, he said, I have been blind my whole life;
Of course I have seen the sun, its rise and fall, 
The awakening of the world at its touch. 
But how have you seen it? Surely your world is as dark as the day around us. 
He smiled again, sightless eyes turning skyward. 
Sight is the poorest way of seeing, he answered. 
I have seen the sunrise; the lift in the air, the singing of early birds
The world becomes new-born, fresh and dreamy,
Just before the sun crests the horizon and breathes life into the world.  
You think I do not feel its warm fingers on my skin? Hear the world rise with it? 
Then fall again? 
The silence settles like a blanket, the warmth slowly bleeds away. 
The world stills with the going of light, with the coming of darkness. 
But darkness is forever with me, isn’t it?
He laughed, while tears and rain painted my face. 
My sweet child, he said,
I see more than any man or woman who beholds the blinding colours. 
I am not distracted by the oranges and streaking purples I sang of, 
Of the glowing gift of ordinary sight. 
I see not the shallow beauty you cherish with your blindness, 
Instead I see the sun, the essence of the world. 
I see life
And surely, he laughed, 
That is more beautiful than any light. 

Kaitlyn S, Year 11


A Short Story

It looked like an eye.

It was rounded, not quite an almond, but close to it. It was opened wide, watching as if it did not have an eternity.

The trees mimicked eyelashes, maybe not in colour, but they were spiky and framing all the same. The birds scattered throughout twinkled, as if raindrops had collected on each of the hairs.

When looking from above, the tiny ripples on the surface resembled the individual streaks that created the hue of an iris. The terrain around it formed the raised mound of the cheek. The ridgeline was an eyebrow, and the valley a lid, folded thinly, allowing the lake to see everything.

And deep. The lake was so, so deep. Suffocating to some, but releasing for me.

The further down you got, the darker the shade of blue. Aqua to royal. Royal to navy. Navy to midnight.

Silver fish shooting like stars in a pool of never-ending night.

Everything that the lake saw, it absorbed. Stored. Remembered.

It was always remembering, and never sharing.

When I made my way here for the first time, I was bordering teenage hood. Not quite old enough to truly be considered mature, but beyond the humours of a child.

I was old enough to be alone, and so, unlike fellow females of my age, who were finding sleepovers and socialising to be the recent obsession, I chose to walk with my thoughts, to scour the land, to learn its traits as it learned mine.

I sat with silence, and yet my conversations had never been as entrancing.

I was content to be accompanied by only my mind, yet I was never short of a friend.

As I moved into high school, the lake listened as I ranted and gossiped. For the lake had met teenagers before, and it understood the desperations of popularity and status.

When I grew closer to adulthood, the lake comforted me through exams and meltdowns, tedious study sessions and anxious periods of waiting.

When I told the lake that I had to leave, the lake was happy for me. But it was also sad.

It didn’t like being lonely.

So I promised the lake I would come back, and I would bring the lake someone else to love.

I trusted him. I came back, and I brought him with me, just like I said.

I showed him the shooting stars of fish, and he laughed.

I showed him the trees where birds gossiped, and he was mesmerised.

I showed him the lake, and I showed him me.

The lake was where it happened.

Later, I didn’t want to come back. The lake had betrayed me, and crushed me, and ruined me.

And yet, just like the first time ever, it drew me in. Not out of curiosity, though. This time, I came back out of desperation.

Undoubtedly, I was angry.

Why would it let something like that happen?

Yet, soon after, I found in it great consolation. Once my fire was reduced to embers, I realised that the lake was the only place was where I could think what I knew.

Where I could believe in what I knew.

Where I could voice what I knew.

It was the only person that believed me.

That is why I chose the lake.

It listened to my plan. It didn’t judge, and it didn’t villainise me.

When the time came, it unhesitatingly swallowed the baritone screams. It smoothed out the leaves and blew the wind to cover any signs of life.

Before I released him into the water, I made the lake promise.

So, as I watch his face become blurry, sinking from aqua to the royal blue, I know the lake won’t tell anyone.

Madie G, Year 11


Flesh and Shadow

The taste has become unnoticeable, although I am unsure of whether I have become accustomed to it or rather have reached the end of a long-winding descent from sanity, as my life now turns in the hands of whatever malignant deity has severed my incorporeal attachments to life, as if I were a mere puppet no longer of any use.

The wind stopped long ago, and soon after the darkness enveloped us. Our skills were nugatory – no amount of practical thinking could have hoped to have saved us. We had no choice but to continue the descent. As we probed further, we stopped talking. Thinking of each other as people held little value anymore, for we knew what must be done to prolong our survival. The silence became absolute, save for the rasp of our breath echoing off of the unyielding rock walls that had become our tomb. Our endeavours had taken us into a labyrinth of which we were never meant to return.

A sound. It drifted through the void, although I was sure of its presence. Something familiar, but unrecognisable. The rhythm stuttered, and came in pairs, then a third. A heavy thud, followed by a scuttle, as if whatever it was had more limbs than it should, and they did not cooperate with each other. Silence.

I tried to stand, but it would require an effort too great for me to overcome. I had remained sat here, rotting in my own filth, for hours. Perhaps days. We had each packed four litres of water, although I had probably made my way through ten. The dead had little use for their belongings.

Over time, our numbers diminished. First it was slow, unnoticeable. Someone would fall too far behind, never to be heard from again. I had been the first to realise what would need to be done to assure a continued survival. Certain people accepted it. Some begged, tried to make themselves believe there could be another way. By that point, our humanity had long been stripped.

And now, as the syncopated stumbles rung out, I could hear those pleas. The cries. With what little strength I could muster, I lit a match and threw it as far as I could into the inky abyss which lay before me. It landed with a light tap against the ground, casting a faint light over the cavern walls. A shadow, only briefly, obscured the orange glow against the wall. A silhouette of a thing. An ungodly thing, unlike what I could have previously imagined. Its head seemed slouched, misshapen in a such a way that it might have multiple. A bulging spine, protruding from its back as if begging to be separated. The shape of an arm extended into the air, serving seemingly no purpose, as if it had been grafted onto the skin of the creature. It let out an oddly familiar moan, and for a second I thought I heard the amalgamated voices of my colleagues reverberate in a low, winding note that echoed within my very being. As brief as it had been lit, the flame extinguished, freeing my mind and soul from the idea of that creature.

Frantically, wishing to not be left in the dark with this creature, I took out a small lamp from one of my colleagues discarded packs. A gift from his grandfather, I believe it had been. He had no use for it anymore. Until now, I had been content with sitting in the dark. The effort required hadn’t seemed worth. But now I found myself fiddling with relic, trying to figure out how to light it. A brief click is sounded before the lantern bursts to life, a flame flickering, providing a light only fractionally brighter than a match.

I wait. Was the creature still here? Had it existed at all? A mind could be so easily corrupted if left unattended. Perhaps I truly had finally succumbed to madness. As long as it meant that thing wasn’t real, I was happy to accept that I had ended my descent.

The noise, again it rung. The horrible, disconnected scrambling of an animal that had no idea how to control its own movement. It reached the edge of the extent of my light, before coming to a stop. Only its leg was in clear view, however I doubt myself when I call it that. Numerous arms twisted, interlocking to form a writhing mass of flesh, culminating in a hand sporting far more fingers than necessary. Blood seeped from the cracks between the arms, which seemed to have been melted together into some grafted abomination. In some places the pale skin had burst, revealing the muscle beneath, twitching as if a worm wriggled inside. Again, the low groan echoed throughout the chamber, a terrifying voice reminiscent of my old friends who had gone missing in this hell.

The flame extinguished itself, for it knew there was no point in this stalemate. Closing my eyes, I felt the ground beneath me pulse, as if the entire cave was alive. The horrible movements of the thing drew near, although I did not fear. I knew I would soon join my friends, as one.

William C, Year 11

The Style Section: Paris Fashion Week

The Style Section: Paris Fashion Week

Happy New Year, and happy belated Spring/Summer Paris Fashion Week!

One of my most anticipated weeks in fashion each year is the first Paris Fashion Week, also known as Haute Couture Week, and it did not disappoint. This edition showcased the talent of some of the world’s most prominent designers including Simon Porte Jacquemus, the founder and designer of ‘Jacquemus’.

This couture week Jacquemus displayed incredible works of art in a unique intimate location in Paris. This collection includes synched waists as well as puffed sleeves and skirts, featuring men’s and women’s wear in a range of soft colours and the occasional patterns and fur. Each look was decorated with one of their new bags with long silk gloves draped over the top. Their new leather bags are incredibly unique despite their simplicity, featuring unique lengths and ornaments each complimenting the outfit.

Stripes, polka-dots, and animal print, a clear trend on the Spring/Summer runway of 2025 and Jacquemus was no exception, featuring three polka dot, three striped, and two animal printed looks. Each remained simplistic although bold through the up-and-coming designs, still carrying that light and bright summer feel that is displayed throughout the whole collection. Similarly trending on the runway is a drop-waist, what I found particularly unique about Jacquemus’ interpretation of a drop-waist, included a belt; In look 22 a seemingly pointless belt synchs in the ‘waistline’ closer towards the knee. An incredibly unique and fascinating version of the growing trend, a classic Jacquemus twist.

Another stand out of the week was the Schiaparelli and the brand’s incredible designer, Daniel Roseberry. His incredible show rose above the simple haute couture we see today and was truly something spectacular. He challenged the idea that modernity has to be simple with the goal of sharing clothes that highlight antiquity and modernity at the same time. The incredible sculpturing of all the looks is my particular highlights and has me in awe every time I re-watch the show (which has been multiple times).

The use of padding and boning created these almost architectural details that elevated every gown and suit. Even the rather simple designs were decorated with intricate embroidery and the excellent use of fabric which was folded over multiple times, creating volume and structure. Roseberry decorated the models with simple, shiny make up and slicked back hair, letting just their outfits do the talking, and trust me – they speak for themselves.

What Jacquemus and Schiaparelli have in common is two incredibly talented designers who have this capacity to created extraordinarily unique designs that are still modern and versatile for all preferences. I am so excited to watch both of these brands throughout the year and keep my eye out for celebrities wearing these beautiful designs.

Juliette J, Year 12

Look up!

Look up!

As the new year comes upon us it is a great chance for all of us to set new goals and experience new opportunities as well as work on personal benefits like health and wellness. It’s a chance for us to ‘look up’ and forward at what different experiences and opportunities are to come like deciding to compete in a new event at a school carnival or trying out a different co-curricular activity. There is always something different to explore.  

Far too often we find ourselves looking down and missing the world that is revolving around us. Looking up gives us the opportunity to pay attention and look around at the beauty that surrounds us like the everchanging landscape with is multitudes of colours and smells. ‘Looking up’ also has been scientifically proven to have benefits including physical improvements and mental benefits. Physical benefits from looking up include helping with breathing as it is able to open airways as well as improved posture and as Morihei Ueshiba, Japanese martial artist and founder of the martial art form aikido, says, ‘A good stance and posture reflect a proper state of mind’.

However, the most prominent benefit that comes from looking up is the large mental shift that it provides. Looking up breaks you out of thought patterns, providing a positive and optimistic mindset. By just looking up at the sky, people can experience a perspective change which can often lead you to feel less pressured and overwhelmed by the everyday thoughts that can often consume us This is much needed because, as Dr Fred Luskin proved, the average human has over 60,000 thoughts a day with majority of those thoughts being repetitive.

Technology has been proven to degrade our social interactions and relationships. 📷 CNBC

Due to the benefits that ‘looking up’ provides it also helps us realise the importance of the relationships that we have built around us which is often taken for granted because of the ever-evolving technology surrounding us.  Due to this technology we as a society are losing the skills to be able to communicate face to face without distractions or interruptions. By having a moment of mindfulness like taking a deep breath we are able to bring ourselves back into the moment and have a worthwhile conversation with one another.  Looking up symbolises the prospect that the new year brings. We can ‘look up’ with a growth mindset at the year that is to come and to goals that we are to set and achieve. So, as we move onward into the future the challenge is to ‘look up’ and open ourselves to the world around because now more than ever we are influenced by the evolving technology and distractions that come with it. Using mindfulness can be one of the most important features in helping bring us back to the present and fully experience the life we are living.

Charlotte G, Year 9  

What we’re reading: AusLit edition

What we’re reading: AusLit edition

Violet F: How it Feels to Float

Helena Fox is effortlessly ambitious with How it Feels to Float. She sweeps us into the world of Biz, an Australian teen whose thoughts fall haphazardly into readers’ hands: shards so confused and hurried you can’t help but think they’re meaningless. But as you read on, and Fox patiently waits for you to place the shards together: you find yourself standing in front of a stunning mosaic confused as to how you got there and yet sure that this is how things were supposed to come together.

Biz is a Year 12 student who just kissed her best friend Grace, keeps seeing ghostly apparitions of her deceased dad, and is starting to hear the photos around her talk back to her, which, as a sentence, sounds overwhelming. And it is. But the beauty of Fox’s style is that despite this complex web Biz finds herself entangled in, the audience never feels as though this premise is an attempt to confront the audience: it’s the photo-realistic life of a teenage girl.

This is by no means an easy read, and I mean that in the best of ways. It’s heavy. A word tossed around frequently in our culture, but truly, this book weighs on you. If you’ve got enough on your shoulders, and the themes of anxiety, suicidal ideation, depression, bullying, PTSD and sexual assault make that load heavier to carry, please be kind to yourself. How it Feels to Float is painfully relatable, terrifyingly accurate and a brilliant read.

Ms Pascoe: The Nowhere Child by Christian White

The trope of the lost Australian child is one we know well as part of our literary and cultural landscape. White presents a fresh spin on a whodunnit wherein the lost child herself, Sammy Went, must return from Australia to America to find out the truth surrounding her disappearance when she was two years old. As Sammy learns more about the familial discord that surrounded her alleged kidnapping, I couldn’t help but consider how the notion of a lost child goes beyond the fabric of our country – this is truly a fear that is universal and reveals a deep-seated anxiety around the weight of responsibility we feel towards our most vulnerable people.  I couldn’t put it down. I’d recommend this book for lovers of crime fiction, Year 10 and above.

Ms Tankard: Plum by Brendan Cowell

Peter (aka ‘Plum’) Lum is an ex-rugby player and single father living near the beach in Cronulla and trying to raise a son who is similarly very athletic. At the start of the story, he suffers from what seems to be an epileptic fit. I won’t say anymore! I couldn’t put this book down. I laughed out loud and sobbed my heart out. After reading this novel… actually, I let Brendan read it to me on Audible… with his deep voice… every other book failed to sustain me. I’d recommend this novel for Year 11 and above.

Ms Hitchcock: Larrimah by Caroline Graham and Kylie Stevenson 

A man and his dog go missing without a trace in the remote Northern Territory town of Larrimah. Two journalists follow the investigation into the town of 12 – now 11 – to try and find out what happened to Paddy Moriarty. This novel is part whodunnit and part love letter to remote towns. The people in this novel are so vividly drawn, bizarre, and at times crazy that I had to keep reminding me that they’re actual human beings, not a figment of a writer’s imagination. I highly recommend this book for anyone who loves reading about true blue Aussie towns and their people. 

Ms Hitchcock: Everyone in My Family Has Killed Someone by Benjamin Stevenson

A family reunion at Mount Kosciuszko goes horribly wrong when bodies of people – unknown and known – start turning up. Written by a comedian and told from the perspective of a crime writer, this novel is a refreshing take on the murder mystery genre. Its metatextual elements and quirky cast of characters made it great fun to read over the summer!

What we’re watching: Murder Drones

What we’re watching: Murder Drones

2025 has arrived and so have I!

Are you DYING to know what would happen if you put a love story, horror, sci-fi and a bunch of robots with a strange obsession for MURDER into a single web series? Well, look no further than Murder Drones, where the humour and action scenes absolutely SLAY.

Set on the apocalyptic planet of Copper 9, we follow Uzi, your classic angsty Worker Drone whose Dad is strangely obsessed with doors. Her bunker is full of fellow Workers who have built a bunker to protect themselves from the Disassembly Drones (nicknamed ‘Murder Drones’ for a good reason). Picture angels of death with interchangeable chainsaws/machineguns/swords for arms who feed on the oil of Worker Drones and you get the picture. Unfortunately for the Workers, Uzi is kind of a rogue teen and builds a ‘sick as hell railgun’ (her words, not mine) to bring the fight to the Murder Drones. In doing this she meets Serial Designation N, the most adorable wholesome murder robot the world has ever seen (the closest I can describe him as is a golden retriever). What originally was a struggle for survival turns into the most unlikely of friendships (and the possible destruction of humanity but let’s ignore that part for now).

Murder Drones is honestly one of the best web series out there. Taking the world by storm in 2021, Murder Drones has devoured the hearts of the internet with its fluid and smooth animation, each movement (and explosion) noticeable and eye-catching. For a desolate planet locked in an eternal nuclear winter, Copper 9 is jaw-droppingly beautiful. With corpses of towers and towers of robot corpses (seriously) dotting the landscape, dimly illuminated two ghostly moons, this place is the perfect hunting ground for packs of genocidal robots. And the characters are astounding! Uzi is like the epitome of evil but in a good way, and OMG N – the best boi of the entire series. N is voiced by Michael Kovach, who also voices Jax in The Amazing Digital Circus and Angel Dust in Hazbin Hotel and absolutely kills in this role (pun intended). Serial Designation V is another protagonist that absolutely sells the show. Her character is laced with mystery that gradually solves unanswered questions about the Murder Drones universe (don’t believe me? Watch the show, $5 dollars on the line). Honestly the three drones make the perfect trio and tie the series together. The humour is quirky and a little dark at times and the voice acting just fits perfectly to the horror/comedy theme. AND BOY DOES IT GET SPOOKY. From an all-consuming virus that threatens to destroy entire planets to biological horrors beyond your comprehension.

Pictured: a lot of fun. Not pictured: the human race. 📷 https://www.youtube.com/@GLITCH

AND THE SOUNDTRACK! Made by the acclaimed DJ AJ DiSpirito, the music fluctuates to match the scene – from a creepy disco-style forest chase theme to an actual disco filled with horrifying eldritch magic and missiles! And never in my life have I seen track names this on point. One example list is literally called the Knife Dance which is a certified BANGER. Yet even in a horror/comedy such as this, there is music that will genuinely move you. Uzi and N’s love theme is prevalent from Episode 3 to the end of the first season. When it is first introduced, it is quiet and shy as the seeds of love are first planted. But by the finale, it is open and brass. Cheery on top, they’re both falling for each other when it plays, literally. Astoundingly beautiful.

So yeah, that’s Murder Drones for you, honestly it is amazing solid 9/10. Get tunnel-visioned by the spooky robot at the end and rewatch it for the lore!

Thomas C, Year 12

Farewell and Thank You,  Nurse Bec!

Farewell and Thank You, Nurse Bec!

On behalf of all the students at Oxley, thank you, Nurse Bec, for taking such great care of us every day. From Junior School to Senior School, on camps and even out on Outback, you have always been there to help.

We appreciate all the time and effort you’ve put into looking after us, and we wish you all the best for the future. You will be missed!

Max G, Year 7

Performing Arts Achievements

Performing Arts Achievements

CAT Awards and Nominations

The Combined (formerly Canberra) Area Theatre Awards (CAT Awards) have been part of the theatre, dance and musical scene in Canberra and the surrounding districts since 1994. They provide recognition for the enormous contribution made by non-professional groups to the artistic life of Australia, in particular in Canberra and the region, and they encourage individuals in the performing arts.

Winners have been bolded.

BEST ENSEMBLE IN A SCHOOL OR YOUTH PRODUCTION

Orlando R, Banjo C and Liam H as Sam Carmichael, Bill Austin and Harry Bright, Mamma Mia!

Peter K, Orson F, Edmund H, Robert C, Andrew C, Theodore B as The Rude Mechanicals, A Midsummer Night’s Dream

BEST YOUTH ACTOR IN A FEATURED ROLE IN A PLAY

Banjo C as Father in The Book of Everything

Peter K as Nick Bottom in A Midsummer Night’s Dream

BEST YOUTH ACTRESS IN A FEATURED ROLE IN A PLAY

Gloria W as Mother in The Book of Everything

BEST YOUTH ACTOR IN A LEADING ROLE IN A PLAY

Harrison K as Thomas Klopper in The Book of Everything

BEST YOUTH ACTRESS IN A LEADING ROLE IN A PLAY

Olivia Q as Hermia in A Midsummer Night’s Dream

Sophie C as Helena in A Midsummer Night’s Dream

BEST YOUTH ACTOR IN A LEADING ROLE IN A MUSICAL

Harry M as Agatha Trunchbull in Matilda the Musical

BEST YOUTH ACTRESS IN A LEADING ROLE IN A MUSICAL

Ava R as Donna in Mamma Mia!

BEST MUSICAL DIRECTION FOR A SCHOOL OR YOUTH PRODUCTION

Dominic Lindsay and Andrew Young, Mamma Mia!

BEST DIRECTION OF A SCHOOL OR YOUTH MUSICAL

Shona Apostolatos, Matilda the Musical

BEST DIRECTION OF A SCHOOL OR YOUTH PLAY

Katrine Pascoe, A Midsummer Night’s Dream

Phil Cunich, The Book of Everything

BEST COSTUME DESIGN  FOR A SCHOOL OR YOUTH PRODUCTION

Lexy Meyerson and Laura Horne, Matilda the Musical

BEST PRODUCTION OF A SCHOOL OR YOUTH PLAY

A Midsummer Night’s Dream, Oxley College, Bowral

The Book of Everything, Oxley College, Bowral

CAT AWARDS COMMENDATIONS

Oxley College, Bowral
For their support to performing arts, presenting 4 major productions in 2024 giving students of all ages an opportunity to participate in theatre

Ngununggula’s Student Art Prize 2024

Ngununggula’s Student Art Prize 2024

Ngununggula’s Student Art Prize 2024 for local K-12 students coincided with the Archibald Prize 2024 Regional Touring Program. Last year’s theme was ‘people portraits’. Students were invited to create an artwork of themselves or someone special to them. The Ngununggula Student Art Prize 2024 was judged by Archibald 2024 winner, Laura Jones.

The winner for HIGHLY COMMENDED category was Leila D (Year 11) with her work Eyes to the soul. Leila described her process as “spanning several art lessons and finishing in some final, at-home practises, [which was] was both challenging and satisfying. Beginning with a light sketch, I developed the piece using charcoal, which helped me realise my initial vision. The entire experience and viewing of other works were also very enjoyable.”

Leila’s artwork Eyes to the soul.

Congratulations Leila! We warmly welcome more students to enter into art competitions here at Oxley to continue challenging their creative thinking skills.

Miss Aitken

What makes a great Oxleyan?

What makes a great Oxleyan?

Today I was curious about what makes a great Oxleyan, so I interviewed a few people.

Starting off with my mum, Deborah, who is an Oxley alumnus. She started with the school song, “to be brave and strong and true and to fill the world with love your whole life through.” She also mentioned qualities like a willingness to try everything, to embrace opportunities, to speak with kindness, to always try your best and to always demonstrate respect.

Mr. Bevan said a good Oxleyan is someone who gets involved with everything.

Ms. Spencer said someone who is kind, who has a go and who shows respect.

Ms. Kickert says a good Oxleyan is someone who is kind, courageous and can collaborate with others.

Mr. Dibdin thought that an Oxleyan is someone who tries everything and is proud of their school.

Ms. Wolstencroft said an Oxleyan shows kindness to all, gets involved in cocurricular opportunities and shows courage in the face of a challenge.

Mr. Case said a great Oxleyan takes on challenges and tries new things.

Now that I have asked a lot of people, I now understand the meaning of a good Oxleyan – to be kind, show respect and get involved!

Jock C, Year 8

Senior School Swimming Carnival

Senior School Swimming Carnival

The annual Swimming Carnival on February 20, 2025, was a fantastic event filled with competitive spirit and fun activities. The day was captured beautifully by the students of the Content Creation Club, showcasing the lively opening ceremony and various swimming events. Special mention to the cheer squads that kept the energy high. A big thank you to all who participated and made the day a success. Let’s continue to capture these moments! If you want to join our Oxley College Content Club, we meet every Thursday at lunch in Room S1.

Miss Aitken