
From stage to screen: the debate over musical adaptations
The world of musical theatre has long enchanted audiences with its vibrant storytelling, annoyingly catchy songs, and larger-than-life performances. But when these beloved productions make the leap from stage to screen, the results can be as divisive as they are dazzling. The recent buzz surrounding the movie adaptation of Wicked has reignited the age-old debate: Should musicals be turned into movies, and if so, how can they retain their magic?
Wicked, the Tony Award-winning musical that reimagines the story of the Wicked Witch of the West, has captivated theatregoers since its Broadway debut in 2003. With its powerful themes of friendship and identity, the show has become a cultural phenomenon. I will never forget my first time seeing Wicked in the theatre; I was about 9 years old, and it’s safe to say I have never truly felt a greater sense of awe, a sentiment seemingly shared by many. So, the announcement of the film adaptation starring Cynthia Erivo and Ariana Grande sparked both excitement and apprehension among fans.
On one hand, many believe that musical to movie adaptations are important to share the magic of theatre to all, making theatre more accessible. Not everyone has the opportunity to see a Broadway or West End production, whether it be due to cost, location, or availability. A film version allows a wider audience to experience the story and music that have touched so many lives. In addition, movies can offer a fresh perspective on a familiar tale. With the resources of Hollywood, filmmakers can expand the world of the musical, adding cinematic elements that can’t be achieved on a stage.
However, on the other hand, critics often point out that something is inevitably lost in translation. The intimacy and immediacy of live theatre where every performance is unique, and the energy the audience feeds the actors can be difficult to replicate on screen. Some worry that the heart and soul of a musical may be overshadowed by Hollywood’s tendency to prioritise spectacle over substance. The Wicked adaptation has already faced scrutiny for its decision to split the story into two films. While this allows for a more detailed exploration of the plot, some fans fear it could dilute the impact of the narrative, with many believing this was a money-making strategy. With a much-loved musical come diehard fans, many in the build-up openly expressing concerns about casting choices and how faithfully the movie would adhere to the original production.
The key to a successful adaptation lies in striking a balance between honouring the source material and embracing the possibilities of film. Movies such as Les Misérables have demonstrated that it’s possible to capture the essence of a musical while offering something new. On the other hand, less successful adaptations serve as cautionary tales, reminding filmmakers of the challenges involved. As Wicked has made its big-screen debut and we eagerly await Part 2, the debate continues. Did the film soar to new heights like Elphaba defying gravity, or did it struggle to find its footing? Amongst this debate one thing is certain: the conversation about musicals and their place in cinema is far from over.
Eliza B, Year 12