The Style Section: 2024 S/S
A new year means new season looks! From January to February the fashion world has been nothing short of plentiful with runway shows, events and releases.
Paris, 25 January: Jean Paul Gaultier sat to watch Simone Rocha’s couture collection she made for his brand. A collection of beautifully articulated feminine pieces which perfectly complimented Gaultier’s classics. Incorporating unique shapes and keeping it minimalistic with colour was the perfect touch. The attention to detail is astounding, each diamond and pearl placed with perfection. Each piece was unique and special in its own way – some through shape, others through texture. The use of tulle, pink satin and 3D flowers displays the womanly properties of this collection. An unmodern approach to shapes gives her clothes beautiful historical characteristics.
On the following day, Miss Sohee’s Spring/Summer 2024 collection aired, and I can confidently say it is one of the most stunning spring collections I have ever seen, featuring lavish gowns with trains reaching the end of the runway and full skirts which swayed through the hall. The atmosphere of the beautiful Shangri-La Hotel in Paris perfectly matches the fashion, keeping the same regal and feminine ambiance. Sohee Park did her bit for the environment as she sustainably sourced her fabrics from old Korean costumes. Crystal embellishments, layering, silks, and patterns made for a classic collection. Some of the fabric looked almost metallic sweeping through the lights. This is Miss Sohee’s second collection, which means she is only getting started – I cannot wait to see her next collection.
All eyes were on Maison Margiela’s spring show as it debuted the same day. The runway was full of not only beautifully articulated pieces, but the use of the models created a whole character for the looks. The only way to describe this work is art. The daring looks partnered with the models’ doll-like modifications with hourglass bodies and glass skin ensured you won’t forget this collection. The looks themselves were dark and used a unique blend of materials and patterns. The looks are risky, but the feedback has been nothing but admiration.
Robert Wun showed off his spring collection the following day, with unique embellishments describing rainy days and murdered brides with ink splatter and writing. His collections too tell a story; his opening number uses draping embellishments to indicate the falling of rain highlighted on its black, slick gown. He kept his looks traditional with eye-drawing details, like the hands which cupped the faces of two models adding to his apparent horror theme of the show. Interesting shapes and techniques were explored with a corset for a skirt and chains to connect the sleeve of a pointed bra top. The final piece, a complete red dress, featuring a human-like shape coming out of the dress from the zipper at the back, appearing to be adjusting the strap of the floor length gown. This year marks the 10th anniversary of Wun’s incredible work. I have hope that he will complete looks this year that pay tribute to some of his older work.
The start of 2024 has been unique and particularly feminine. Fashion month begins now, with new shows released every day. I am looking forward for the next edition of Pin Oak, where I can explore some of those shows.
Juliette J, Year 11